The Bridge: A New Musical
Please join us for a presentation of the new musical, The Bridge, in Morse Recital Hall at Yale University, on November 21 at 7:30 PM.
Please join us for a presentation of the new musical, The Bridge, in Morse Recital Hall at Yale University, on November 21 at 7:30 PM.
This is the tale of an adolescent girl who grew up in an “unseeable” Dalit caste group in southern India whose forced occupation is to wash clothes of other Dalits, the dead, and menstruating women. She transcends her lot and becomes immortalised as their local deity, Maadathy.
Please join the Yale Program on Climate Change Communication (YPCCC) and the Environmental Film Festival at Yale (EFFY) on Monday, September 9, 6-8pm in Burke Auditorium, Kroon Hall, 195 Prospect St., New Haven for a film screening and discussion about climate change, belief, and talking with people you don’t agree with. Food will be provided.
Back by popular demand, I Belong: Mix and Mingle Second Edition is a fun, casual, and stress-free networking event over meaningful conversations and cocktails. The first 65 attendees will receive one complimentary beverage and light refreshments will be served alongside a performance by a trio of members of the Yale Undergraduate Jazz Collective.
YOU SEE WHAT YOU SEE is an interactive video and sound installation designed by artist Ein Kim and brought to live by The David Geffen School of Drama at Yale University. We invite you to create your own waves of lights and sound by operating the installation yourself. Join us for a fantastical journey into the world of watery reflections!
being on a journey / is not about departing / but inviting / new reflections of the world
In this Love Data Week virtual keynote event, a panel of multiple data experts will discuss their affinity for and experience with various data types, including geospatial and qualitative data. They’ll talk about the rewards and challenges of working with data, sharing advice for those interested in similar work. We are thrilled to be joined by the following panel guests:
Allison Jauré (nee Tong)
Raesetje Sefala
Jessa Lingel
Culinary and dance offerings in partnership with Yale-China. Stay tuned for details.
Born in Jim Crow-era Birmingham, Alabama in 1950, Lonnie Holley was the seventh of 27 children—and at age four was taken from his mother and traded for a bottle of whiskey (Bloom). He fled abusive foster parents, was hit by a car (and declared brain dead) and was later sent to Alabama Industrial School for Negro Children—a “slave camp” by any other name (Missick). Holley’s work, born out of struggle, hardship—and more importantly, out of furious curiosity and biological necessity—manifests itself in drawing, painting, sculpture, photography, performance, filmmaking, and music.
One of the key methodological interventions of Digital Humanities is the capacity to map one’s research data. With the advent of interactive digital maps in the early 2000s, space-oriented humanistic historical research has seen a dramatic growth with multiple visualization tools during the past two decades. As Richard White of now defunct Spatial History emphatically notes in his 2010 working paper, spatial visualization, i.e. mapping, is not a mere illustration to a narrative but “a means of doing research.”
Indigenous Wine: Exploring some of the very cool, off the beaten track indigenous grapes from around the globe.
Taught by New Haven local sommelier Janine Sacco, Fine Wine and Sales Representative with Skurnik.
Be able to impress any group after learning about wine in this first-ever fine wine tasting in The Well.