West Campus Happy Hour!
Join West Campus Colleagues for pizza and refreshments. Second floor lounge, Conference Center. All welcome!
Join West Campus Colleagues for pizza and refreshments. Second floor lounge, Conference Center. All welcome!
Join West Campus Colleagues for pizza and refreshments. Second floor lounge, Conference Center. All welcome!
Join West Campus Colleagues for pizza and refreshments. Second floor lounge, Conference Center. All welcome!
Join West Campus Colleagues for pizza and refreshments. Second floor lounge, Conference Center. All Welcome!
Join West Campus Colleagues for pizza and refreshments. Second floor lounge, Conference Center. All Welcome!
Join West Campus Colleagues for pizza and refreshments. Second floor lounge, Conference Center.
Join West Campus Colleagues for pizza and refreshments. Second floor lounge, Conference Center. All welcome!
Since the mid-1980s, Andrea Fraser, the 2025 Happy and Bob Doran Artist in Residence, Yale University Art Gallery, has worked in the realm of institutional critique, investigating and revealing the ways in which organizations, groups, and individuals hold and wield power. Frequently challenging the biases of arts institutions, her videos, performances, and texts deftly combine careful research with incisive, often humorous, delivery.
Since the mid-1980s, Andrea Fraser, the 2025 Happy and Bob Doran Artist in Residence, Yale University Art Gallery, has worked in the realm of institutional critique, investigating and revealing the ways in which organizations, groups, and individuals hold and wield power. Frequently challenging the biases of arts institutions, her videos, performances, and texts deftly combine careful research with incisive, often humorous, delivery.
Since the mid-1980s, Andrea Fraser, the 2025 Happy and Bob Doran Artist in Residence, Yale University Art Gallery, has worked in the realm of institutional critique, investigating and revealing the ways in which organizations, groups, and individuals hold and wield power. Frequently challenging the biases of arts institutions, her videos, performances, and texts deftly combine careful research with incisive, often humorous, delivery.