Graduate And Professional

Belonging at Yale Series - Belonging: How can YOU share YOUR space with others?

The Future Leaders of Yale, Office of Diversity and Inclusion and Belonging at Yale invite you to the Belonging at Yale Series. This three-event series will focus on belonging in a complex workplace. These events will explore what the new term of belonging at an organization means and offer diverse experiences and pathways to show and be authentic in a workspace.

The third and final part of this series will take place on Tuesday, January 23, 2024 from 12:00-1:15PM around the topic of “Belonging: How can YOU share YOUR space with others?”.

Lonnie Holley & Mourning [A] BLKstar

Born in Jim Crow-era Birmingham, Alabama in 1950, Lonnie Holley was the seventh of 27 children—and at age four was taken from his mother and traded for a bottle of whiskey (Bloom). He fled abusive foster parents, was hit by a car (and declared brain dead) and was later sent to Alabama Industrial School for Negro Children—a “slave camp” by any other name (Missick). Holley’s work, born out of struggle, hardship—and more importantly, out of furious curiosity and biological necessity—manifests itself in drawing, painting, sculpture, photography, performance, filmmaking, and music.

Windham-Campbell Prizes Festival

The 2024 Windham-Campbell Prize recipients will be in residence on Yale’s campus from September 17-20 for a multi-day international literary festival during which they will share their work, engage in conversation on a range of subjects, and celebrate reading and the written word with the New Haven community.

The full schedule of talks, discussions, and readings will be available at windhamcampbell.org in mid-August 2024.

Yale Alumni Academy Climate Change Conversations | Double Mitigation: Exploring Equitable Climate Change and Health Pathways

Yale Alumni Academy and the Yale School of the Environment have assembled a distinguished roster of expert faculty to address the leading climate change issues facing our wonderous planet. Please join us as we discuss Double Mitigation: Exploring Equitable Climate Change and Health Pathways with Dr. Daniel Carrión. Society is grappling with two fundamental questions: 1) how do we address entrenched social inequality, and 2) how do we mitigate the greenhouse gases that are driving our climate crisis?

Why Mapping? Some Lessons from an Art Historian’s DH Ditch

One of the key methodological interventions of Digital Humanities is the capacity to map one’s research data. With the advent of interactive digital maps in the early 2000s, space-oriented humanistic historical research has seen a dramatic growth with multiple visualization tools during the past two decades. As Richard White of now defunct Spatial History emphatically notes in his 2010 working paper, spatial visualization, i.e. mapping, is not a mere illustration to a narrative but “a means of doing research.”

Wine Tasting at The Well

Indigenous Wine: Exploring some of the very cool, off the beaten track indigenous grapes from around the globe.
Taught by New Haven local sommelier Janine Sacco, Fine Wine and Sales Representative with Skurnik.

Be able to impress any group after learning about wine in this first-ever fine wine tasting in The Well.

Day With(out) Art 2023: Everyone I Know is Sick

In recognition of the 2023 Day With(out) Art, the Yale Office of LGBTQ Resources, the Yale University Art Gallery, the Yale Center for British Art, and Public Humanities at Yale are proud to partner with Visual AIDS to present Everyone I Know is Sick, a screening of five short videos highlighting connections between HIV and other forms of illness and disability. The program features work by Dorothy Cheung, Hiura Fernandes and Lili Nascimento, Beau Gomez, Dolissa Medina and Ananias P. Soria, Vasilios Papapitsios, and Kurt Weston.

“Inca Songwork, Cusco 1535”

“Inca Songwork, Cusco 1535”

Gary Tomlinson
Sterling Professor of Music and Humanities
Yale University

This talk will analyze the sole firsthand account we have of a sung ritual of the Inca, glimpsing its potent powers and suggesting a working of song far removed from the expectations of early-modern Europe.

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