Why Mapping? Some Lessons from an Art Historian’s DH Ditch
One of the key methodological interventions of Digital Humanities is the capacity to map one’s research data. With the advent of interactive digital maps in the early 2000s, space-oriented humanistic historical research has seen a dramatic growth with multiple visualization tools during the past two decades. As Richard White of now defunct Spatial History emphatically notes in his 2010 working paper, spatial visualization, i.e. mapping, is not a mere illustration to a narrative but “a means of doing research.”