Since the mid-1980s, Andrea Fraser, the 2025 Happy and Bob Doran Artist in Residence, Yale University Art Gallery, has worked in the realm of institutional critique, investigating and revealing the ways in which organizations, groups, and individuals hold and wield power. Frequently challenging the biases of arts institutions, her videos, performances, and texts deftly combine careful research with incisive, often humorous, delivery.

Since the mid-1980s, Andrea Fraser, the 2025 Happy and Bob Doran Artist in Residence, Yale University Art Gallery, has worked in the realm of institutional critique, investigating and revealing the ways in which organizations, groups, and individuals hold and wield power. Frequently challenging the biases of arts institutions, her videos, performances, and texts deftly combine careful research with incisive, often humorous, delivery.

Since the mid-1980s, Andrea Fraser, the 2025 Happy and Bob Doran Artist in Residence, Yale University Art Gallery, has worked in the realm of institutional critique, investigating and revealing the ways in which organizations, groups, and individuals hold and wield power. Frequently challenging the biases of arts institutions, her videos, performances, and texts deftly combine careful research with incisive, often humorous, delivery.

Since the mid-1980s, Andrea Fraser, the 2025 Happy and Bob Doran Artist in Residence, Yale University Art Gallery, has worked in the realm of institutional critique, investigating and revealing the ways in which organizations, groups, and individuals hold and wield power. Frequently challenging the biases of arts institutions, her videos, performances, and texts deftly combine careful research with incisive, often humorous, delivery.

Onitsha Market Literature—named after a city east of the Niger River—emerged in the early 1950s. The popular pamphlet style soon spread to other centers throughout the then British colony of Nigeria. These ephemeral publications circulated widely throughout the busy marketplace, and writers intended them to be both educating and entertaining for the common people.